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| ~Bodymagic, Sebrina Scott |
good question cz that was ourselves who did (do?) that
VIRGO (Aug. 23-Sept. 22). Let go of proving that you earned every pleasure. In this life of cycles, we must seize joy when it's available, knowing that it won't always be. Buy the flowers. Lollygag. Eat up. You made enough sensible choices.
the last thing I posted needed earning was my right to die in peace
the horoscope's idea sounds better, so
I promise to make a joyously bad decision as soon as I possibly can, as soon as I meet one I will lolly gag all afternoon ๐๐ฏ
fun fact: I gave Sunshine's # to D-Nozl. she wants to keep the cat and get child support from him for it. not from me, she would not take it from me, "woman, you are taking care of his sick baby and wtf is he even doing?! he don't even know ๐คจ stupidfucker bullshit.."
I have a long day of appts in front of me today, his new psychiatry meds manager dr and then the mts team, etcetc. I will think of this horoscope, think "IF ONLY ๐คจ" - but, it will give me a little cheer to imagine that ๐ phone call ๐คญ
whats a woman called who doesnt pay her bills? a: bernadette (Craig joke - he's here daily working on the house, happier that he lost his job every day he that watches me living the alternative)
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today was bad
some days are bad
I feel bad when it's my day that has to be bad because I need to be okay but sometimes
it's not as if there's anyone to talk me down ever (noted)
my therapist has been on maternity leave this whole time. by the time she comes back I won't want to talk to her either
it won't matter, it doesn't matter, I have to keep my kid okay and he is very barely okay and it's a lot of work to keep him that way, that's it
I am very fortunate ๐๐ฏ it could be much worse
I made up something funny that happened today (nothing funny happened) so I could text one of the fireds (like this would be more fun with you here type deal), he laughed and asked about how it's going (onward as if this is perfectly normal, like Orwell or some shit). I told him that my role at work atm is ironically A WIFE, my employer's trophy wife who doesn't do much but look good and go to yoga classes a lot (which has truth in it). drama queens are outward, so not that.
then of course, we went and killed ourselves with sweat and heat. running on or off frightfuel. killedwise, we prefer DIY vs motherfuckers
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| she refuses to look at you (me); there's an interogation light in her eyes like CIA (not a flash) |
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| so she can only give you sideeye |
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| I parked in front of this. |
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| Then I went to my own Mary. |
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| Lady Godivas |
presumed audience: NUR (or Pre-med or PA students) 300 level-ish
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| (citations) |
The Sacred Sundance — 69 minutes
Indigenous-made. Brian J. Francis is a Mi'kmaq filmmaker from Elsipogtog First Nation.
The film follows the transmission of the Sundance from Blackfoot ceremonial knowledge to Mi'kmaq communities. It includes firsthand testimony about fasting, piercing, sacrifice, prayer, illness, addiction, and healing. One participant describes undertaking the Sundance on behalf of two critically ill children.
The ceremony itself is not filmed.
Circle of the Sun — 30 minutes
Actual Sundance footage. Filmed at a 1956 Kรกรญnaa (Blood Tribe) gathering in Alberta, with the community's permission.
Features Pete Standing Alone, a Kรกรญnaa man who narrates aspects of the experience. It also shows everyday community life and the tension between inherited traditions and changing circumstances.
Directed by a non-Indigenous filmmaker, and its 1960 framing is iffy af.
Write a detailed anatomical description of the Sundance physical process. Include at least one detailed anatomy illustration, parts correctly labeled (see Anatomy: A Coloring Book for examples if you're unfamiliar—just google it).
To the best of your ability, describe how the process would physically feel. 300 words.
This is not clinical transcription. Use sentences and plain English and feelings.
How can everyday language (fiction and non) tell truths about wound survival that clinical language alone cannot?
or
The novel talks a lot about what resonates. What resonates with you differently now, if anything? Do you ever kill yourself a little so you don't kill yourself a lot?*
*Consider the question figuratively, not as an instruction to injure yourself.
burn the other end - billy strings
"He is the kind of wind that blows up your skirt, throws dust in your eyes so it's hard to see, cools you when heat and effort have drained you, warms in pockets between you and a living thing, goes in circles for no apparent reason like a desert genie, disappears suddenly making it hard to breathe, stirs up what's moldering in corners full of waiting. He is the kind of air that smells best and feels kindest blowing across a quiet lake."
we went to yoga. fri night is cheap if u pay cash. it's very very hot on friday, notoriously brutal with humidifiers full blast all afternoon before hand, the floor is covered in sweat when you get there getting mopped up, the studio feels like the mouth of hell. we love it. Ears says it makes him nauseous and weak in a good way, like throwing up makes you feel better only different. it's always crowded, full of people who feel like that.
I think a "unique bond" could result in being similarly/simultaneously afflicted, by disease or by whatever if it's bad enough. I think it could cause cancer in someone who has zero cancer in their family. That's entirely plausible to me, that one person could take another into their body, and I think that it happens all the time, we all impact one another all the time and feel it in our bodies. As dread, terror, grief for instance. And anger. That's why you should try not to make people feel lousy things, and if possible do the opposite. Of course other people can give you cancer. And they can heal you too, sometimes. There is no remedy for other people except more people. That is especially difficult to fathom for loners especially if their nerves are shot - they might just have to die over it ๐คท๐ฝ♀️ And Erdrich taught me much of this "way to think that is useful" as huckforcats put it, which includes sensibilities as beliefs. I realize I think/believe all this mid-class. And it feels like throwing up, or maybe like popping a zit. A stuck thought bobs to the surface.
I actually believe that ๐. I don't believe that is what happened to her. I have no idea. But that doesn't matter. I believe it, is what's important. And I've taught that shit to thousands of other people. I've got 80 people reading The Roundhouse over Thanksgiving so they can feel conflicted about Thanksgiving, which most of them do feel for one reason or another or another or another. It will seem entirely plausible that a feeling could kill you, fast or slowly, if you hang out with me for a spell.
“Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up.” ~ Louise Erdrich
"I want to take my own life," Tootins said. "But I don't have the heart to shoot myself in the head. So I use this bottle instead." Tobasonakwut never gave up on his brother, despite the fact that he drank until the end of his life. ~The Reason You Walk, Wab Kinew
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| there she is |
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| the "other" woman |
makes sense. if you wanted to bond with such a woman, you'd have to do so uniquely. (and he's no easy walk in the park of a person either)
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| 2010, they both got cancer |
the better part of bravery - the decemberists released today
the National Endowment for the Arts bio page has a huge error - they say she lives in MN with 2nd husband and "their" daughter. there is no 2nd husband. there is/was a baby daddy, about whom she writes in Books and Islands. Tobasonakwut Kinew. Father of grandmotherly baby, Azure she's called mostly but she has at least three names. He's dead. Been dead since 2012, though the NEA seemingly mistakes him for alive and married to her as recently as 2018. there's prolly like 2 people left working at the NEA, so can hardly fault them for a shitty citation back to an obscure interview. I remember thinking "that can't be her hair" of the photo but didn't clock the cancer of 2010 intil after the fact cz she never wrote about it. Until now I wasn't in any kinda fangirl mode, I just reread the novels whenever I felt awfulest for 30 years, tattooing my brain.
"Most of what I wrote about was my all-consuming emotions. I was someone who lived at a very high emotional pitch. "
"A drama queen is outward. I was inward..."
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| every day |
Her breast cancer falls almost exactly at the midpoint of what is explicitly called Erdrich's justice trilogy.
The three novels are:
2008 — The Plague of Doves
Wrongful lynching, historical violence, collective memory, and the persistence of injustice across generations.
2012 — The Round House
Sexual violence against an Indigenous woman, the limits of legal jurisdiction, and the consequences of institutional failure.
2016 — LaRose
Accidental killing, responsibility, restitution, grief, and forms of reparation that exceed the legal system.
Three different legal problems, three increasingly complicated questions about what happens after bodily harm.
I finished Doves before circling the Antelopes. Doves is a fever dream of relationships impacted over time by violence. It is so nearly impossible to make any straight lines that I stopped trying to draw it out; the point is that despite intentions, what happens between people is often not up to them; they inherit conditions that are insurmountable. Reading it, I noticed, made the heavy rubberband ball in my chest squeeze tighter: I'll never get free of this / this is my last chapter and it will only get worse.
That ๐ is how I feel when I can separate "me" out at all anymore.
The 3-novel summary leaves out the fact that my paragraph gets stricken in that same timeframe. The Wife becomes the Woman in 2016. And I remember what Erdrich said in an interview (eliding the illness itself) about nurses, that they went about the business of saving her life without the burden(s) of feeling anything at all. I remember thinking it odd that she of all people would conclude that. And now I find it even more iffy - the first horribly unkind scene is in a hospital in The Round House, the nauseating dread that any kinda ER puts in your gut, the desperocity to be anywhere else. Hardly a 'business' devoid of feelings. Erdrich never writes about having breast cancer, but dread and blood and hopelessness seep into the stories. And, of course, everything is still related to everything.
Today, I will cook and clean and do all the needed things, of course as usual. Perhaps, if Ears is in the mood, we'll work on a jack-o-lantern. Current idea: barfing and half buried in stones = Rock-Bottom-o-Lantern.
I need to get his mind off the cat, which has gone missing with Sunshine ๐ช