"Books and Islands in Ojibwe Country, originally published by National Geographic in 2003. And the library you're remembering is Ernest Oberholtzer's library on Mallard Island, in Rainy Lake, Minnesota, right on the U.S.–Canada border.
Oberholtzer is the man you're trying to remember. He was an early conservationist, wilderness advocate, canoe traveler, and serious student/friend of Ojibwe people and culture. He accumulated an enormous personal library—rare books, manuscripts, maps, Indigenous-related materials, literature—and kept it in the buildings of his island home. So Erdrich isn't traveling to a conventional institutional library. She travels by water to a man's house on an island that has effectively become a library. Scholarship on the book explicitly describes her destination as Oberholtzer's library on Mallard Island and notes that one object she's particularly interested in seeing there is a first edition of Tristram Shandy.
And you've remembered the architecture of the book correctly. It is essentially two linked pilgrimages. First she travels with her eighteen-month-old daughter, Nenaa'ikiizhikok, to meet the child's father, Tobasonakwut, and visit the Ojibwe pictographs around Lake of the Woods. Then she travels to the other kind of inscribed place: Mallard Island, the island of books. One scholarly account describes the structure almost exactly that way: pictographs/material landscape in one part, then the “special island on Rainy Lake that is home to thousands of rare books” in the other.
Which makes the thing you remembered from the book much more interesting in light of what you've been thinking about for the past two days:
cave wall → book → island → house → library.
They're all places where marks survive their makers.
And Erdrich actually announces the conflation at the beginning: her travels have become so concentrated on “books and islands” that the two have merged for her.
So, yes. Mallard Island. Ernest Oberholtzer's house/library. Rainy Lake. That's the place you were seeing in your head."
Fuckergpt is good for some stuff π as long as you're strict and verify everything. The book itself is upstairs, I coulda just grabbed it, but I don't want to wander too far off topic / read outside following thread Love Medicine trail. And I wanted the library's name, the physical location(s), to map what it might look like to go there, and to see the cave paintings, and then wind up in North Dakota.
All I do is work. But this π isn't that.
My job is a job. I do it well. I get paid.
Writerly reading my way through this material all again, then taking myself to boundary waters and rare libraries is what I'd do regardless. If I could/can.
Nebraska would have been very helpful in planning such a trip and especially in getting access to the libraries. I'm not a Dartmouth alum like him (and like Erdrich and Dorris). I am just applebees on date night. Without a date lol.
But. The problem with letting someone hold a door open for you is that they have the power to let it hit you in the face and land you on your ass, locked out, on a dime. I am not able to live at someone else's discretion like that. (I'd shoot first, I just didn't.)
My employment contract makes me eligible for a paid sabbatical next year. ELIGIBLE. I know damn well they will not let me have it. I am the only fulltime Eng faculty.
The only one.
If I tried to do scholarship, like I did on my first sabbatical (I studied Erdrich's kinship diagrams), my current employers could not even understand my application. That's why it's just a job now. There is nobody left who understands the work. All they know is students wait a year to get into one of my classes and never fail them - how, why, what happens, etc is all a mystery to my employers. They look at the math = I make a ton of money for them. That's it. I look at the math and I make enough money. That's it.
When I asked my boss yesterday about a sabbatical, he looked utterly terrified. He cannot legally hire any Eng adjuncts for two years because of the firings. All of NYS teachers union would sue the shit out of em. I'm all he's got.
In real life, I am sinking about 8-10k into a new patio door and deck, then tacking on 2 window replacements for my mother's room - Craig is doing all that. Then I'm paying E to replaster / repaint around it all. It will all set me back about 12-15k all tolled. Sound investments. This house was long overdue for upgrades, and this burb keeps topping realty rankings. Best to do these things while the paycheck is steady.
In real life, it's Friday night and I need to get laid something fierce, this dry spell must end, but I have no desire to see or talk to anyone.
In real life, I've lost my glasses in here and am helpless until I eventually step on them. All I can see is the book in front of me.
In real life, I am going to keep reading, blogging interesting findings, then filing it away. I will go to bed early. Been a long week, I'm very tired, and next week will be worse. So best to rest while I can.
All sensible and constrained actions.
In my mind's life, though, I am beginning to plan a trip. North Dakota is not somewhere you go in winters, nor is the boundary waters through the Badlands. And I need planning time to do such a thing, since I have no idea how. So while I continue to virgo-plod through this shit and to do my job, the whiteboard of my mind fills with words and plans. Like an elaborate escape route being mapped by the quietest inmate.
Tell me more about Tobasonakwut, and don't make it up! I think he was/is a sun dancer...
"You remembered correctly: Tobasonakwut Kinew was a Sun Dancer. And this time I checked against sources..
Tobasonakwut Kaagagewanakweb Kinew (1936–2012), sometimes called Kelly Kinew, was an Anishinaabe elder, traditional knowledge keeper, political leader, teacher, healer, pipe carrier, Midewiwin member, and longtime Sun Dancer. The University of Winnipeg—where he later taught Indigenous Governance—specifically says he was a Sun Dancer in both Anishinaabe and Lakota traditions. The Treaty Relations Commission of Manitoba goes further and identifies him as a Sundance chief.
And his biography makes the man in Books and Islands much more legible.
He was born in 1936 on his father's trapline at Lake of the Woods, which is crucial given where Erdrich takes us in the book. Elders selected him when he was very young for instruction in Anishinaabe knowledge and traditions; the University of Winnipeg says that before age six an elder took him fasting to seek a vision. He subsequently survived residential school.
He wasn't simply a ceremonial figure, either. He had a formidable political life. He served as Chief of the Ojibways of Onigaming, Grand Chief of Treaty 3, became the first Ontario Regional Chief, participated in the National Indian Brotherhood and Assembly of First Nations, and eventually taught Indigenous governance at the University of Winnipeg. In 2009 he was the elder accompanying the Assembly of First Nations delegation that met Pope Benedict XVI.
So when Erdrich goes to Lake of the Woods with him in Books and Islands, he isn't functioning merely as her lover/baby's father who happens to know the territory. This is his homeland and an intellectual/spiritual tradition in which he has considerable standing.
There's a very useful scholarly description of precisely this. Tobasonakwut was a pipe carrier, traditional healer, Sun Dancer, Midewiwin member, and fluent Anishinaabemowin speaker. The scholar consequently reads the central journey with him as not merely travel but Erdrich's encounter with Anishinaabe language, knowledge, and landscape through someone possessing all of those forms of knowledge.
And here is something I think you're going to find extremely interesting for the project.
His full name matters. In Books and Islands, Erdrich explains Tobasonakwut through place and ancestry rather than giving us a conventional boyfriend biography. One scholarly discussion quotes her account of his people as literally constituted by Lake of the Woods—the fish, animals, plants and water entering human bodies—and recounts something his father told him: “The creator is the lake and we are the waves on the lake.”
That's the man accompanying her to the rock paintings.
And there is another connection you may already know but hadn't mentioned: Tobasonakwut was Wab Kinew's father—the writer of The Reason You Walk, and now premier of Manitoba. The Reason You Walk is substantially about Wab's difficult relationship and eventual reconciliation with his father. Its description identifies Tobasonakwut as simultaneously a traditional chief and elected political leader and discusses the complicated coexistence in him of traditional Anishinaabe religion and Catholicism after his abuse in residential school."
I did not know that π part. I remember her describing him is being older for a *first time* father (which he was not, apparebtly) (in his 60s) as she is late in life, at 48, a mother again. That is why her daughter is a "grandmotherly baby." And I remember her describing him as a sun dancer, which is a practice that was made illegal in the United States along with the boarding schools, all laws and practices intended to break the culture of the people, "kill the savage to save the man" was the rationale of both the US and Canada. So he's very secretive, and she is very secretive about him because he'd been an outlaw.
Another interesting personal side note: The Grey Nuns, the ones for whom I worked and built and lived and studied, the order that granted me that sabbatical in the first place, the current president of which I still write to, relatively recently settled a case against them for running such a boarding school. In Montreal, I believe.
Right before Patti died, I told her a story that was true: I had played the radio game, asking for where I should go (wtf do I do next?), and the song that came on seemed utterly impossible. How would I possibly get to and north of WINNIPEG? Why would god/universe tell me to do that? But it's a really good song, so it seemed not impossible to figure out how, nor how to compost a human body (what patti wanted me to help her do). All impossibe things just haven't been made/done yet. "That's why I love you so much." The last thing she said to me.





































